INTRODUCTION:
I grew up banging on pots and stringing rubber bands to cut-out milk cartons. Finally, my dad had to buy me a real guitar so at least the noise would sound closer to music. The thing is, guitars make more and louder noise than any rubber band. Thank God my parents were patient people.
Track Samples
Synthesizer
| Listen | Track | Description | Time |
|---|---|---|---|
 |
#22: Untitled | Synthesizer: swirling bells and clicks | 1:30 |
|
#22: Untitled | Synthesizer: piano, swirling bells and atmospheric high clouds | 1:30 |
|
#28: Untitled | Synthesizer: piano, swirling bells, percussion and bass | :59 |
|
#30a: Untitled | Synthesizer: slightly delayed piano, rubber bands and clicks | :48 |
|
#32a: Untitled | Synthesizer: multiple plucked strings, percussion, rainy steel atmosphere | :55 |
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#33: Untitled | Synthesizer: bass, crackling and overdriven guitar | :34 |
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#34: Untitled | Synthesizer: piano, percussion, flying atmospheres | :47 |
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#35: Untitled | Synthesizer: fat bass, wooden clicks, snare, layered and overtoned strings | 1:34 |
Note on the tracks
Uploading is a work in progress. What's here is what I've had time to edit into samples and compress as MP3. All the ambient sythn tracks are untitled, but carry numbers. Typically what I do when I'm at the S90 is write down general information about the piece I'm working on a note card and use the number as a way to match the file to my notes. So #19 would be the nineteenth piece I've done in this way, and #30a would be the "a" version of #30.